| FP200:
Francesco Palazzo Fisarmonica Classica |
| Contrapuncto
No.1 |
Johann
Sebastian Bach (1685-1750)
|
4:43
|
| Contrapuncto
No.2 |
Johann
Sebastian Bach (1685-1750)
|
3:15
|
| Contrapuncto
No.3 |
Johann
Sebastian Bach (1685-1750)
|
3:15
|
| Toccata |
Johann
Sebastian Bach (1685-1750)
|
3:07
|
| Fuga |
Johann
Sebastian Bach (1685-1750)
|
6:16
|
Prelude
Andantino |
César
Franck (1822-1890)
|
3:33
|
| Lent |
César
Franck (1822-1890)
|
0:41
|
|
Fugue
Allegretto ma non troppo
|
César
Franck (1822-1890)
|
2:44
|
Variation
Andantino |
César
Franck (1822-1890)
|
3:07
|
Improviso
Allegro moderato Meno
Meno Mosso e Stravagnate, Tempo U, Piú
mosso |
Felice
Lattuada (1882-1962)
|
6:08
|
Nenia
Lentamente Ma Elastico (Rev.S.di Gesualdo) |
Franco
Alfano (1876-1954)
|
7:59
|
Pantomima
Umoristica
(Rev.S.di Gesualdo)
Moderato, Lentamente, Tempo di Valzer
Moderato, Vivo |
Luigi
Ferrari-Trecate (1885-1964)
|
4:29
|
Preludio
Moderato e Maestoso Assai |
Sergio
Calligris (1941)
|
3:26
|
Corale
Adagio |
Sergio
Calligris (1941)
|
2:43
|
Finale
Allegro Tumultuoso e Deciso |
Sergio
Calligris (1941)
|
1:27
|
| Madrigale
di Gesualdo |
Bruno
Bartolozzi (1911-1980)
|
9:24
|
De
Profundis
(Rev.F.Palazzo) |
Sofia
Gubaidulina (1931)
|
12:14
|
| |
Total
|
78:51
|
|
Name
|
Time
|
mp3
file size
|
| Contrapuncto
No.1 |
30
mins
|
|
| Contrapuncto
No.2 |
31
mins
|
|
| Contrapuncto
No.3 |
33
mins
|
|
| Toccata |
42
mins
|
|
| Fuga |
36
mins
|
|
| Prelude |
29
mins
|
|
| Lent |
31
mins
|
|
| Fugue |
31
mins
|
|
| Variation |
30
mins
|
|
| Improvviso |
31
mins
|
|
| Nenia |
28
mins
|
|
| Pantomima
Umoristica |
32
mins
|
|
| Preludio |
35
mins
|
|
| Corale |
32
mins
|
|
| Finale |
31
mins
|
|
| Madrigale
di Gesualdo |
31
mins
|
|
| De
Profundis |
26
mins
|
|
 Francesco
Palazzo was born in Martina Franca (Italy) in 1969.
He studied the accordion with Salvatore di Gesualdo and was the
first one in Italy who obtained the “diploma” of accordion,
at “Luigi Cherubini” Conservatory of Florence. He also
completed his training in humanistic studies, composition, choir
music and choir conducting.
He played in the theatres and the auditoriums of many major Italian
cities (Asti, Milano, Verona, Lucca, Roma, Napoli, Foggia, Bari,
Taranto, Martina Franca, Lecce, Matera, Catanzaro, Crotone, Vibo
Valentia, Catania, Caltanissetta).
He has recently undertaken a technical and expressive research on
the exploitation of the accordion and by comparing it with other
instruments he re-established his performing technique on a new
basis and he thus projected his personal accordion performance,
correspondingt to his renewed artistic requirements.
He has been teaching accordion at “Niccolò Piccinni”
Conservatory of Bari since 1993. He also revised and transcribed
works for his instrument, drawn mainly from the organ literature
– some of them have been already published.
He played chamber music with Tiziana Portoghese (mezzo-soprano),
with “Tamborrino Ensemble”, with “Xenia Ensemble”,
with the orchestras “Musica Judaica” and the “Collegium
Musicum”.
In April 2001, at the Cattedral of Bari, with “Collegium Musicum”
directed by Rino Marrone, along with the violincellist Elizabeth
Wilson, he played the work “Sieben Worte” for accordion,
violincello and string-orchestra written by the Russian composer
Sofia Gubaidulina.
In July 2001 he distinguished himself in the “Ibla Grand Prize”
with a Special Mention for the performance of “De Profundis”
of S. Gubaidulina, which allowed him to perform in the most prestigious
concert-halls in the United States of America (New York University-Casa
Italiana “Zerrilli Marimò”, Alice Tully Hall at
Lincoln Center in New York), and in Europe (Amsterdam, Florence).
He recorded some CDs for Sorriso Ed.Musicali, Rugginenti and for
the Phoenix Classic a recital in which works of Johann Sebastian
Bach, Cèsar Franck, Felice Lattuada, Franco Alfano, Luigi
Ferrari-Trecate, Sergio Calligaris, Bruno Bartolozzi and Sofia Gubaidulina
were performed.
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