| pearlcd05:
Accordion Tapestry |
| Marriage
Of Figaro Overture |
Mozart
|
3:51
|
| Badinere |
Bach
|
1:23
|
| William
Tell Overture (3rd & 4th) |
Rossini
|
5:18
|
| Minuet
From Berenice |
Handel
|
2:29
|
| Hungarian
Dance No. 5 |
Brahms
|
2:10
|
| Scherzetto |
Thomas
B. Pitfield
|
2:10
|
| Dance
Of The Comedians |
Smetana
|
3:24
|
| Durand's
First Waltz |
|
3:13
|
| Allegro |
J.H.
Fiocco
|
3:03
|
| Dance
Of The Hours |
Ponchielli
|
8:28
|
| Turkish
March |
Mozart
|
2:30
|
| Prelude |
Handel
|
1:32
|
|
|
Total
Time
|
39:32
|
|
Name
|
Time
|
mp3
file size
|
| Marriage
Of Figaro Overture |
20s
|
|
| Badinere |
20s
|
|
| William
Tell Overture (3rd & 4th) |
20s
|
|
| Minuet
From Berenice |
20s
|
|
| Hungarian
Dance No. 5 |
20s
|
|
| Scherzetto |
20s
|
|
| Dance
Of The Comedians |
20s
|
|
| Durand's
First Waltz |
20s
|
|
| Allegro |
20s
|
|
| Dance
Of The Hours |
20s
|
|
| Turkish
March |
20s
|
|
| Prelude |
20s
|
|
"Accordion
Tapestry" was Pearl Fawcett's first recording and it
took the accordion to a very high level, using one instrument
which comprises both acoustic and electronic accordion. The
following is an extract from the original sleeve notes for
the recordion:-
"The standard of performance here heralds a new recording
in accordion playing and demands tremendous thought and technical
skill to utilise the instrument completely, with a perfect
control of both right and left hands and bellows manipulation.
Add to this the important words "artistry" and "musicianship",
which come from a natural feeling and rigorous musical training,
and the picture is complete. |
|
|
