Technique, Interpretation, and Performance of Playing the Accordion Artistically
Author:
Friedrich Lips   Edited by: Ulrich Schmülling

Contents of the Book
 
Below is a copy of the contents pages of this most informative and important book. From the Contents, you can see the in depth and detailed approach taken with this book, that makes it such a specially useful book for everyone, from the beginner to the artist.
 
Editor's Introduction to the German Edition
              Music and Bayan-Accordion in Russia

Introduction to the Russian Edition
              About the Author and His Book
 

I

Creating Tone  
1.
Forms of Articulation.
Bellows_Fingers Coordination
Keystrokes.

 
 

1. Pressing
2. Tapping
3. Striking
4. Glissando.

 
  Bellows Techniques  
 

1. Bellows Shake, Tremolando
2. Bellows Triplets, Triple Bellows Shake
3. Bellows Ricochet
4. Combined Bellows Techniques

 
  Vibrato  
 

1. Vibrato in the Treble
2. Vibrato in the Bass
3. Simultaneous Vibrato in Treble and Bass

 
  Performing Various Types of Articulation  
 

1. Legatissimo
2. Legato
3. Portato
4. Tenuto
5. Détaché
6. Marcato
7. Non legato
8. Staccato
9. Martellato
10. Staccatissimo

 
2.
Registers and Their Combinations  

Dynamics
Tonal Perspectives
Phrasing
 

 
II Playing Technique  
1.
2
..
Playing Comportment
Elements of Bayan Technique

 
 

1. Creating Tone
2 . Ornamentation
3. Scales and Scale -like Passage
4. Arpeggios in All Forms
5. Two-Tone Combinations
6. Chords
7. Jumps
8. Polyphony
 

 
3.
4.
Fingering
Work on Technique
   
 
III Interpreting a Musical Composition
The Artistic Picture
 
1.
2.
3.
4.

Content
Tempo
Rhythm
Interpretation
 
 
 
IV Particulars of Concert Activity  
1.
2.
3.
4.
5.

Selecting and Repertoire
 Before the Concert

Concert Day
The Concert
After the concert
   

 
Epilogue

Biographical Register

List of Musical Examples

List of Names

References
 

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